Review: I Am Zombie

I am Zombie 2

I Am Zombie is the latest offering from legendary game designer Mark Rein•Hagen and his new studio, Make Believe Games. It is an innovative tabletop roleplaying game that puts the player in the role of one the Toxic, a group of intelligent zombies. Mark Rein•Hagen is best known for his groundbreaking World of Darkness games that brought to life (or unlife in some cases) genre defining modern takes on classic dark archetypes like Vampires, Werewolves and Spirits.

The game comes in two parts. The Field Guide is written from within the world by the mysterious Purgatory Press. It introduces you to Toxic society with a sexy “come-hither” look and then a slap to the face with the brutality of your new situation. The glorious, stunning art from Mark Kelly resonates throughout the entire book. The second component, the Player Kit, contains the gorgeous ID cards, chips, dice and character journal – everything you need to play the game.

I Am Zombie channels the feel of a 1970s Grindhouse film with government agents, sex, hot cars and savage chainsaw violence. The Toxic lurk in the dark, grimy places of our world and their own underground settlements beneath the thriving hustle and bustle of the Breather cities.  

The Axiom system powering I Am Zombie is a series of rules that combines dice, cards and tokens to create amazing stories filled with action and drama. Character creation is simple, just pick 5 cards and you’re ready to go. As your character develops you add more cards, which in turn gives you access to new skills, tricks and even powers. It is worth noting the first Axiom (golden rule) asks you to make the game your own; only use the rules you find necessary to tell the best possible stories and have the most fun with your group. It is this level of flexibility and customization that makes the game versatile to all types of players. This degree of ownership made me feel invested in the system. 

I am zombie play

 

I am Zombie is the first game in the new ANØMALY line and is to be followed by Xenofactor, where you are a clandestine agent of the Aliens (Men In Black? Count me in). Overall, Mark and the team at Make Believe Games have delivered a beautiful product, an innovative system, an amazing experience and a fresh take on the Zombie genre.  

For more details or to get a copy:

http://www.makebelievegames.com/

Amazon

Drivethru RPG

 
– Keagan Belbin

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Interview: Saskia Littlewood

Rising Phoenix Studios young writer Keagan Belbin chats with Devonport artist & photographer Saskia Littlewood:

  1. Your photography/art has a very unique tone and voice to it, what ideologies lie behind your chosen style? 

My photography is mainly landscape-based though I’m not strictly a “landscape photographer”. I generally make images of what is around me, using my iPhone 6s.

I then “blend” my images on the phone using Apps. Sometimes I include plain images with these in a series, meaning I don’t adjust or filter them.

I aim to conceal or change the familiar. This is not to confuse people, but to bring about a certain level of recognition or of curiosity, and changing people’s perceptions of a place.

I use architectural elements and natural elements as symbols and metaphors. Historically landscape photography (and painting) can act as metaphors for human emotion and experience.

My work references this history but I’m using a relatively new way of creating and exhibiting photographs.

The technology itself is a part of my themes. I blend technique with the ideas/concepts. The techniques are part of and often transparent in the finished art work. I use contemporary and industrial materials to print my photographs onto.

  1.    You previous exhibition, ‘An Obscured Landscape’ was in October of last year, how do you feel now, about the work you put out? 

I feel really happy about the work I made for An Obscured Landscape. It was not only about landscape but trying to find a way to convey the idea of filters of consciousness and the landscape of Devonport. I wanted to make something very contemporary. It was a specific series of challenges to create that project, including working out how to enlarge the images to a big size, and to find a material to print onto which would highlight my ideas. I wanted the final images on the wall to look like lit iPhone screens.

  1.    You use an iPhone and iPad, rather than traditional cameras, for your pieces. What inspired you to choose this medium, and how do you feel it compares to the use of a camera, both in say its limitations and advantages? 

My training is in film and digital SLR photo-imaging, and the thing that inspired me to start making images with iPhone (I started with the 5), was that it was very versatile and easy to use. Everyone uses them everywhere, especially on and for social media. The iPhone6s I have now is bigger and heavier with a large screen, so that makes in camera editing easier. I enjoy how everything you need is in the one place, including emails, facebook, the net etc. I like taking selfies with the phone and thinking of ways I could use these in future. I don’t delete much, I back up my photos to USB because you never know how an image may inspire you later. The limitations are the aperture size and the related file size. But these are problems that I turned to my advantage.

  1.    What can you tell me about what you have planned for your next project for the triad 1 show?    

I shot my images for triad 1 in one day. This was the plan because I had a very specific theme, and I had a model. Also, it was a sunny day and rain was forecast for the rest of that week.

I focused on the skating scene in Devonport and went to the skate park, where I made mostly slow-motion videos. I then used my phone to create still images from these videos. These were then run through Video and Photo Apps.

For some reason the sculptural forms I found, both in the environment and in the figures and movements of the skaters, reminded me of a Giorgio de Chirico painting.

Slowing everything right down allowed me to capture some of the skating “in flight”, so it ended up being about Time and Space, as well as being an emotional experience.

I found some music which seemed to sync well with the resulting slides I made.

  1. The arts community in Tasmania, especially in the North West, is a small but passionate one. What advice would you have for budding Devonport artists, looking to find their own artistic voice?

My advice to other artists who may be emerging, is to aim to produce innovative work, and to narrow down beginning ideas to a single idea. Art isn’t prescriptive it’s better to start with simple ideas and build as you go. The original concept can become quite complex, just in the doing, then you need to re-evaluate as you go.

You need some computer skills in the digital environment. Time management for projects are critical I find. If it is for a gallery for example, there are deadlines to meet and communications to keep up.

Lastly, the techniques you use need to combine well or interestingly with your ideas. It’s no use having all of the ideas if they are not well-executed, and there’s a reason for using these techniques in the first place.

 

https://nolanart.com.au/exhibitions/obscured-landscape-saskia-littlewood/

 

Fairer Conditions Spell Good News For Firefighters

Across the state over twenty five fires are still burning but
that number is falling and is far down from the more than seventy
that have blazed in remote areas over the past two months.

Around two hundred and fifty fire-fighters from interstate have arrived,
over the past several weeks and have set up at a specially assigned base camp
near Stanley in the state’s north-west.
The Tasmania Fire Service say this has been the biggest mobilisation of interstate fire-fighters ever in Tasmania.

TFS chief officer Gavin Freeman said that shift to favourable weather conditions
should mean more fire-fighters will be able douse the blaze’s edge
rather than meerly hold containment lines and thus start to push back against the bulk of the fires.

“We’re now able, because the fire conditions have abated, to get closer in
to where the fire edge actually is with tanker crews to extinguish
the fire directly without taking large tracts of land out,” he said.

“There’s still a lot of work to do, a lot of mopping up to do.”

He also stated that the next few days should be vital in aiding crews before the weather warms up, later in the week.

“We’re pretty confident that we’ve got some solid lines
around these fires, but we’re at the hands of the weather,” he said.

“There still could be the possibility of unpredicted wind changes or unpredicted strong winds that these fires could escape.”

Mr Freeman said he expected the interstate crews should remain at the Stanley home base for the next fortnight,
to bolster the line of Tasmanian crews working at the borders of a blaze covering more than 60,000 hectares.

“We have some plans in place to continue that on through March if need be, but I don’t anticipate that will be the case,” Mr Freeman said.

For more information, please visit: www.fire.tas.gov.au

Heritage Farming Weekend

The Historical Machinery Club Tasmania is holding their biennial Sassafras Heritage Farming Weekend soon.

The weekend is set to be a fun and informative filled time, with many events on offer including but not limited to:

-Potato Harvesting info sessions

-A Fergie Tractor Display

-Steam Display

-Stone Crushing

-Sheep Shearing

-And everything from Vintage Tractors to Vintage Cars and a Miniature Railway.

There will also be a Craft Display and live music
from Rino and Jade along with Tania Kernaghan, so there is sure to be something for the whole family.

The event will be held from Friday the 26th of February to the 28th,
with gates opening at 9:00 am, on 7738 Bass Highway, Sassafras, Latrobe.

Ticket prices are $10 for adults and $5 for children.

For more information, please visit: sassafrasheritagefarmingweekend.com.au

Country Music In Latrobe

The Town of Latrobe will play host to their annual Country Music Day this Sunday, with enjoyable country music presented by artists from the North-West and other parts of Tasmania.

The  event will be held in this picturesque setting of Bell’s Parade and will take place from 11.00 am to 4.00 pm.The day is to be conducted by the Lions Club of Forth Valley and will also be in aid of raising funds for the club’s community service activities.

Food and drinks will be on offer throughout the day.

For further information: 0407 803 529.